In this guide· 3 chapters
Anyone can draft an email. The hard part is one you would actually send.
A generic draft still costs you the rewrite. A draft in your voice is nearly done.
The way you write email is more distinctive than you think — how you open, how quickly you get to the point, whether you soften a no, how you sign off. A draft that ignores all that reads like a form letter, and you end up rewriting it line by line. The fix is not correcting every draft. It is teaching the style once, so every draft after that starts from how you actually write.
That is what this guide covers: handing over a few real emails so 1Presence learns your voice and keeps it as a standing preference — then drafting, replying and sending from the conversation, with every draft shown before anything leaves.
Hand over a few real emails. It keeps the voice.
Two ways to do it, both a single message. Paste two or three emails you have sent recently — ones that sound like you on a good day. Or, if your mailbox is connected, just ask it to look at a handful of your sent messages. Either way it reads them for the pattern, not the content: how you greet, how long your sentences run, how direct you are, the phrases you reach for, how you close.
Then it saves what it found as a preference — a short, plain-English description of how you write, kept with your agent and applied to every email it drafts from then on. You can read it, edit it, or remove it any time on the Agents page, and refining it is just more conversation: “less formal with clients”, “never open with hope you are well”, “keep replies under a hundred words”.
Teach it your voice
Here are three emails I sent this week — learn how I write, and draft all my email like this from now on.
It reads them for the pattern — greeting, directness, length, sign-off — and saves your voice as a preference it applies to every future draft.
Look at my last ten sent emails and learn my voice.
With your mailbox connected, it reads a handful of messages you sent, distils how you write, and shows you the voice it saved.
When I write to clients, keep it shorter and drop the sign-off.
It refines the saved preference — one rule for clients, your usual voice for everyone else.
Reading your sent mail happens only when you ask — it is your request in the conversation that opens the mailbox, never a background sweep. And the saved voice is a description of how you write, not a copy of what you wrote.
Ask for the email. Read it, tweak it, send it.
With the voice in place, email is a sentence away. Describe the message and who it is for; the draft arrives already sounding like you. Replies thread back into the original conversation, and the draft opens right in the chat — recipient, subject and body all editable in place.
Draft and reply
Reply to Maya — I can’t make Thursday, offer next Tuesday instead, keep it warm.
It reads the thread, drafts the reply in your voice, and shows it to you before anything sends.
Draft a follow-up to the Acme call: recap the two decisions and ask for the signed order by Friday.
It pulls what it knows about the call and the deal, writes the email the way you would, and waits for your nod.
Answer this one for me — polite no, door open.
The decline you have been putting off, drafted in your tone in seconds — you just approve it.
Nothing sends on its own. Every draft is shown in full — recipient, subject, body — and leaves only when you confirm. That holds for every email, every time; it is the only safe way an assistant should touch outbound mail.
This works with a Gmail or Microsoft 365 mailbox connected — and without either, too: paste an email into the chat and ask for the reply, and it writes it in your voice for you to copy across.
An agent whose whole job is your email
The voice lives with the agent that learned it — so if you build a dedicated email agent, you can teach it your correspondence voice specifically, separate from how your other agents write. A drafter that handles replies terse and warm, while your report-writer stays formal: each keeps its own preferences, and each can be taught from its own samples. See building your own agents.
How teaching your voice goes
- 1
Show it how you write
Paste two or three sent emails, or ask it to look at a handful from your connected mailbox.
- 2
It saves your voice as a preference
A short, plain description of how you write — kept with your agent, visible and editable on the Agents page.
- 3
Ask for the draft
Describe the email and who it is for. It arrives already sounding like you.
- 4
Read, tweak, send
The draft opens in the conversation, editable in place. Nothing leaves until you confirm.
Taught once, kept for good
Every email, already in your voice.
A few real emails teach it how you write; a saved preference keeps it that way. From then on the reply you have been avoiding is a sentence away — drafted like you, shown before it sends.
Common questions
Q Will it ever send an email by itself?
No. Every draft is shown in full — recipient, subject, body — and sends only when you explicitly confirm. That holds for every email, every time.
Q Where does my voice live, and can I change it?
It is saved as a preference with your agent — plain text you can read, edit or remove on the Agents page. Or just tell it what to change: “more formal”, “shorter”, “stop signing off with cheers” — it updates the preference on the spot.
Q Do I have to connect my inbox?
No. You can paste sample emails to teach the voice, and paste any email to get a reply drafted for you to copy across. Connecting Gmail or Microsoft 365 adds the rest: replies that thread into the real conversation, and sending from the chat once you confirm.
Q Does it read my mail to learn my voice?
Only the messages you point it at, only when you ask. There is no background reading — your request in the conversation is what opens the mailbox. And what it keeps is a description of how you write, not copies of your emails.
Q Can different agents write differently?
Yes. Preferences are per-agent, so a dedicated drafter can hold your correspondence voice while another agent keeps a different register — each taught from its own samples.